vonejieho

Vonejieho is a traditional form of tattooing practiced by the indigenous peoples of the Philippines, particularly among the Igorot ethnic groups of the Cordillera region. The word "vonejieho" is derived from the Kankanaey language, where "vone" means "to tattoo" and "jeho" refers to the ritual or ceremonial aspect of the practice. This method involves the use of a bamboo or wooden tool called a *pamalo*, which is a handheld mallet with a small, sharp stone or bone attached to its end. The artist, known as a *bamban*, taps the tool onto the skin while applying pigment made from natural materials such as charcoal, soot, or crushed minerals mixed with plant-based oils or blood.

Vonejieho tattoos hold deep cultural and spiritual significance, often representing personal achievements, tribal affiliations, or protection from evil spirits. Patterns and designs vary widely, with some depicting ancestral symbols, animals, or geometric motifs. The process is typically performed during rites of passage, such as coming-of-age ceremonies, marriages, or as a mark of bravery after a significant life event. Unlike modern tattooing, vonejieho is not primarily an aesthetic practice but serves as a form of personal and communal identity.

The technique is known for its precision and pain endurance, as the tattooing process can be lengthy and uncomfortable. Historically, the practice was widespread but has declined due to modernization and cultural shifts. Efforts by cultural preservationists and indigenous communities have sought to revive and document vonejieho, recognizing its importance as a living tradition. Today, some artists continue the practice, blending traditional methods with contemporary adaptations to keep the heritage alive.