ponovljiv

Ponovljiv (Serbian Cyrillic: поновљив) is a term primarily used in the context of Serbian and Croatian linguistics and literature, referring to a specific poetic or stylistic device. The concept originates from the works of Serbian literary critic and theorist, Miloš Crnjanski, who introduced the term in his essay "O ponovljivosti" (On Repetition) published in 1936. Ponovljiv describes a form of repetition that is not merely mechanical or redundant but carries deeper meaning, often evoking emotional resonance or thematic depth.

In poetry and prose, ponovljiv involves the deliberate repetition of words, phrases, or images to create a rhythmic or symbolic effect. Unlike simple repetition, which may feel hollow or forced, ponovljiv is nuanced and purposeful, often reinforcing a central idea or mood. This technique is particularly associated with the works of Crnjanski himself, as well as other Serbian and Yugoslav poets of the early 20th century, who sought to break away from traditional forms while maintaining emotional intensity.

The term has also been applied more broadly to artistic and literary traditions, emphasizing how repetition can serve as a tool for reflection or critique. Ponovljiv is not confined to Serbian literature; similar concepts exist in other linguistic and cultural contexts, where repetition is used to enhance thematic or structural complexity. Its study remains relevant in modern literary analysis, particularly in discussions of rhythm, memory, and the psychological impact of language.