konstruktsionist

Konstruktsionist refers to an adherent or proponent of Constructivism, an artistic and architectural philosophy that originated in Russia beginning in 1915. This movement emerged from Cubism and Futurism, seeking to move away from the idea of art as a detached aesthetic object towards art as a practice for social purposes. Konstruktsionist artists and designers aimed to create functional objects and structures that served a practical purpose within society, rather than purely decorative ones.

The core principles of Konstruktsionism emphasized geometric abstraction, industrial materials, and the integration of art into everyday life. Key figures like Vladimir Tatlin, Alexander Rodchenko, and El Lissitzky rejected the traditional notion of "art for art's sake," believing that artists should contribute to the building of a new socialist society. This often involved applying their artistic skills to areas such as graphic design, typography, textiles, and architecture, with the goal of improving living conditions and promoting collective ideals.

Konstruktsionist works are characterized by their clean lines, bold colors, and often dynamic compositions. The emphasis was on the structure and composition of the work itself, with an interest in materials and their inherent properties. While the movement had its most significant impact in the early Soviet Union, its influence has been far-reaching, impacting later movements in design and art, particularly in areas of graphic design, Bauhaus, and international style architecture. The term "Konstruktsionist" therefore denotes someone deeply involved in these innovative and socially conscious artistic and design practices.