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Instrumentalialsim is a philosophical and literary concept that emerged in the late 19th and early 20th centuries, primarily in Europe and North America. The term refers to the idea of exploring the human condition and reality through the use of instruments and techniques that are often designated for more practical applications, such as scientific experimentation or everyday use.

This movement is often associated with the work of philosophers, writers, and artists who sought to redefine the boundaries between the intellectual and the practical, the subjective and the objective. By taking seemingly mundane instruments, such as microscopes or transit instruments, and using them to explore new and uncharted territories of human experience, instrumentalialsims posit that we can better understand the complexities of the human condition.

Instrumentalialsim often involves an almost obsessive focus on the intricacies and nuances of everyday instruments, which are then used as a kind of lens through which to examine the complexities of reality. Consequently, an instrument that is used for navigation becomes a tool for exploring the concept of space and the way we perceive it. In this sense, instrumentalialsim becomes a powerful tool for examining the complex interplay between human perception and the outside world.

While instrumentalialsim has been influential in certain intellectual circles, its reach is not universal, and it has often been criticized for its obscurantism and lack of clear goals. Nonetheless, its influence can be seen in many areas of modern art and philosophy, particularly in its emphasis on the potential for everyday objects to hold hidden truths and meanings.