hovedhandlingar

"Hovedhandlingar" is a term used primarily in Norwegian literature and literary criticism, particularly in the context of Norwegian folk poetry and traditional storytelling. The phrase translates roughly to "main actions" or "central events" and refers to the core narrative elements that structure a story or poem. This concept is closely tied to the study of traditional Norwegian oral literature, such as *norsk folkeeventyr* (Norwegian folk tales) and *norsk folkeviser* (Norwegian folk songs).

In traditional Norwegian storytelling, "hovedhandlingar" often follow a recognizable pattern, reflecting the oral nature of these narratives. These patterns typically include key plot points such as a departure, a journey, encounters with supernatural beings or challenges, and a resolution or return. The structure is often cyclical, emphasizing themes of adventure, moral lessons, or the triumph of good over evil. Scholars like the Norwegian folklorist *Asbjørnsen og Moe* (Peter Christen Asbjørnsen and Jørgen Moe) documented many of these tales in the 19th century, highlighting their consistent narrative frameworks.

The concept of "hovedhandlingar" is also relevant in the analysis of *norsk folkeviser*, where songs often revolve around historical or mythological events. These songs frequently include recurring motifs, such as battles, love stories, or encounters with mythical creatures, all of which contribute to the central narrative. The term underscores the importance of these recurring structures in preserving cultural identity and oral traditions.

In modern literary studies, "hovedhandlingar" serves as a lens to examine how traditional storytelling techniques influence contemporary narrative forms. By analyzing these central actions, researchers can better understand the evolution of storytelling across generations and cultures. The term remains a valuable tool for those studying Norwegian folklore and its enduring impact on literature and oral tradition.