In visual arts, Expressionism is characterized by bold, exaggerated brushwork, intense colors, and a focus on emotional expression over realistic representation. Key artists include Edvard Munch, known for his haunting depictions of anxiety and existential dread, such as *The Scream* (1893). German artists like Ernst Ludwig Kirchner, Emil Nolde, and the Bridge Group (*Die Brücke*), founded in Dresden in 1905, played a pivotal role in developing the movement. The Blue Rider Group (*Der Blaue Reiter*), led by Wassily Kandinsky and Franz Marc, emphasized spiritual and emotional depth, often incorporating abstract elements.
In literature, Expressionism flourished in the early 20th century, particularly in Germany, where playwrights like Bertolt Brecht and Georg Kaiser explored themes of alienation, industrialization, and existential crisis. Their works often featured fragmented narratives, distorted language, and stark, symbolic imagery. Notable authors included Franz Kafka, whose surreal and nightmarish prose reflected psychological unease, and Rainer Maria Rilke, whose poetry delved into introspection and existential questioning.
Expressionism also influenced cinema, particularly in German Expressionist film, which emerged in the 1920s. Films like *The Cabinet of Dr. Caligari* (1920) and *Nosferatu* (1922) employed dramatic lighting, distorted sets, and exaggerated performances to create an atmosphere of psychological tension and surrealism. This style reflected broader cultural anxieties, including the trauma of World War I and the rapid social changes of the era.
Though Expressionism declined after World War II, its impact endured in various artistic movements, including abstract expressionism in the United States and contemporary avant-garde practices. The movement remains significant for its exploration of subjective experience and its bold departure from traditional representational art.