exostraattisuus

Exostraattisuus refers to the phenomenon where a musical piece or sound exhibits characteristics that are perceived as originating from outside the immediate context of the performance or recording. This can manifest in several ways, often involving elements that are not intentionally part of the musical composition itself. One common aspect is the presence of extraneous noises, such as ambient sounds from the performance space, audience reactions like applause or coughs, or even technical glitches like microphone feedback or tape hiss.

Another interpretation of exostraattisuus relates to the intentional incorporation of non-musical sounds into a composition, a practice known as musique concrète or sound collage. In these cases, recorded sounds from everyday life or other sources are manipulated and used as musical material, blurring the lines between what is considered music and what is not. The listener's perception plays a crucial role in determining whether these external elements enhance or detract from the musical experience.

The term can also be applied more broadly to discuss the influence of external factors on a musical work's reception. For instance, the historical context, the social environment in which a piece is heard, or even the visual presentation of a performance can be considered exostraattisia elements that shape our understanding and appreciation of the music. Ultimately, exostraattisuus challenges the traditional notion of a self-contained musical artwork by acknowledging the interconnectedness of sound, performance, and environment.