delmontage

Delmontage is a term used in film theory and digital media to describe a montage technique in which sequences are assembled while deliberately omitting frames or passages to create interruption and suggest absence. By removing rather than inserting material, delmontage emphasizes gaps in time or meaning, inviting viewers to infer connections and actively participate in interpreting the sequence.

The word blends del- from delete or deliberate omission with montage, and is used mainly in discussions of experimental cinema, video art, and contemporary digital editing. It is not tied to a single movement or canon; rather, it appears in scholarly discussions as a descriptive label for practices that emphasize fragmentation and viewer inference.

Practices include selective frame deletion during editing, temporal compression through removal rather than speed changes, and recontextualization of surrounding shots to imply alternative timelines. In audio-visual works, omitting or muting dialogue, sound cues, or music can heighten the effect, while cross-cutting may be used to intensify the sense of missing information.

Delmontage is commonly found in experimental films, music videos, and digital art projects that probe memory, perception, or political critique. It often yields a disjointed rhythm and ambiguous meaning, requiring closer attention from the viewer and potentially provoking multiple interpretations rather than a single, linear narrative.

See also: montage, jump cut, discontinuity editing, non-linear editing, deconstruction.