closemiked

Closemiked is a term used in audio engineering to describe the practice of recording or amplifying a sound source with a microphone placed very close to the source. The method contrasts with distant or room miking, where microphones are positioned farther away to capture room tone and more of the overall acoustics. In close miking, the microphone is typically within inches to a few decimeters of the source and may use directional patterns such as cardioid or hypercardioid.

Benefits include a high signal-to-noise ratio, strong transient capture, and greater isolation from other sources, allowing precise level control and easier equalization. Proximity effect can boost low frequencies with directional microphones, shaping the sound, but it can also produce an artificial bass boost if not managed. Close miking can sound dry or claustrophobic if overused and may introduce plosive or wind issues in vocal use, which are mitigated with pop filters, windscreens, and careful placement.

Common applications include lead vocals, drum snare and toms, guitar amps, brass, and string sections, where detailed transients and isolation are desired. Both dynamic and condenser microphones are used; dynamic mics are common for loud sources like drums and guitar amps, while condensers provide greater sensitivity for quieter sources such as vocals. Techniques may involve close placement, occasional use of bass roll-off and padding to prevent overload.

Historically, close miking became prevalent with the rise of multitrack recording in the 1950s and 1960s, aided by improvements in microphone design and studio acoustics. It remains a foundational technique in modern studios and live sound, often combined with other mic placements to blend direct signal and room ambience.

The term "closemiked" may also appear as an adjective in product literature and discussions on microphone technique.