Pentairs

Pentairs is a term primarily associated with a series of experimental and avant-garde films created by the American artist and filmmaker Stan Brakhage. The name "Pentairs" refers to a series of short, abstract films that Brakhage produced between 1954 and 1957. These films are notable for their innovative use of hand-processed film, often involving techniques such as paint, ink, or other materials applied directly to the film strip.

The Pentairs series includes five films: *Pentagram* (1954), *The Waves* (1954), *The Song of the Sun* (1955), *The Star Apples* (1955), and *The Process* (1957). Each film explores abstract visuals and soundscapes, often evoking emotional and sensory responses rather than traditional narrative storytelling. Brakhage’s approach involved manipulating the film itself, such as scratching, painting, or burning it, to create unique textures and effects.

The Pentairs films are celebrated for their contribution to the development of experimental cinema, pushing boundaries in visual expression and artistic freedom. Brakhage’s work in this series influenced later generations of filmmakers and artists, particularly those interested in abstract and non-narrative forms of visual storytelling. The films are often studied in academic and artistic circles for their technical innovation and conceptual depth.

While the Pentairs series is not as widely known as some of Brakhage’s later works, it remains a significant part of his body of work, showcasing his early experimentation with film as a medium for pure artistic exploration. The films are available through various archives and collections dedicated to avant-garde cinema.