Neoklassisch

Neoklassisch refers to a broad artistic and architectural movement that emerged in the late 19th and early 20th centuries as a revival of classical styles, particularly those inspired by ancient Greek and Roman traditions. Unlike the strict historical accuracy of earlier classical revivals, neoklassisch emphasized a more flexible interpretation of classical forms, often blending them with contemporary techniques and materials.

In architecture, neoklassisch designs are characterized by symmetry, proportion, and the use of columns, pediments, and domes. Buildings from this period frequently feature grand facades, balanced compositions, and a sense of order, reflecting Enlightenment ideals of rationality and universal truth. Notable examples include public institutions such as government buildings, museums, and universities, where neoklassisch aesthetics conveyed authority and permanence.

The term also extends to visual arts, literature, and music, where classical themes and structures were reimagined with modern sensibilities. In literature, neoklassisch works often employed classical mythology, balanced verse forms, and philosophical depth, while in music, composers like Gustav Mahler and Igor Stravinsky incorporated classical motifs into more experimental compositions.

Neoklassisch should not be confused with the earlier *Klassizismus* (Classicism), which adhered more closely to historical models. Instead, neoklassisch represents a deliberate return to classical ideals as a response to the perceived excesses of Romanticism and the industrial era, offering a sense of stability and elegance in an evolving world. Its influence persisted well into the 20th century, shaping both functional and decorative arts across Europe and beyond.