NeoFuturists

Neo-Futurists, commonly written Neo-Futurists or Neo-Futurists, are an American experimental theatre company and movement devoted to original, short-form performances. Originating in Chicago in the late 1980s, the group was founded by Greg Allen and a rotating collective of writers, performers, and directors who sought to challenge conventional theatre through immediacy, collaboration, and a focus on the present moment.

Style and approach

The Neo-Futurists emphasize rapid, writer-performer creation and a rotating ensemble. Performances typically consist of a sequence of short, original plays performed with minimal sets and props. Material is created by ensemble members and occasionally guest writers, and pieces are designed to be time-conscious and direct, often including direct address to the audience. The format prioritizes immediacy, spontaneity, and a sense of communal authorship.

Notable works and formats

One of the group’s best-known innovations is a long-running show in which a curated set of short plays is performed within a fixed time frame, such as Too Much Light Makes the Baby Go Blind. Another central format is The Infinite Wrench, a rotating repertoire of short plays performed in about an hour and frequently updated with new material. These formats have become hallmarks of the Neo-Futurist style and practice.

Influence and reach

The Neo-Futurists have influenced contemporary experimental theatre by promoting writer-performer collaboration, audience engagement, and a non-naturalistic, present-tense aesthetic. The movement has inspired similar companies in other cities, including The New York Neo-Futurists, and has contributed to a broader conversation about form, time, and live performance in American theatre.