Droogtempo

Droogtempo, literally “dry tempo” in Dutch, is a term used in Dutch-language criticism and discourse to describe a style of pacing or tempo that prioritizes restraint and sobriety over fullness or flourish. It is not a formal term in mainstream music theory, and its exact definition can vary between critics and contexts. In its broad sense, droogtempo signals a performance or interpretation that avoids theatrical rubato, lush vibrato, or ornate phrasing in favor of a clear, steady rhythm.

Etymology and usage: The word combines droog (dry) with tempo, drawing on Dutch and broader European musical vocabulary. In practice, it can apply to music, film, theater, or other performance arts where the tempo and pacing are kept deliberately restrained.

Characteristics: Commonly associated with a steady or slowly unfolding tempo, minimal or no rubato, and a preference for clarity of beat over expressive indulgence. In vocal or instrumental performance, it may involve restrained dynamics and a focused, matter-of-fact delivery. In cinema or stage direction, droogtempo may correspond to pacing devoid of melodrama or exuberant inserts.

History and scope: Droogtempo lacks a formal, standardized definition and is largely a descriptive label in contemporary Dutch criticism. Because it is not codified in theory, its interpretation depends on the critic, the work, and the cultural context.

See also: tempo, rubato, performance practice, Dutch music criticism.