Dreampop

Dreampop is a subgenre of alternative and indie rock that emphasizes atmosphere and melody through ethereal vocals and lush, reverb-drenched guitar textures. It favors melodic hooks and soft, hazy production, producing a dreamy, otherworldly mood.

Origins: The style developed in the late 1980s and early 1990s in the United Kingdom and United States, drawing on the work of the Cocteau Twins and the broader shoegaze and indie pop scenes. Critics commonly associate dreampop with bands such as Cocteau Twins, Lush, Slowdive, Pale Saints, and Chapterhouse, whose records balanced pop sensibility with shimmering, atmospheric guitar work.

Musical characteristics: Core features include reverb and delay effects, clean or gently distorted guitars, and breathy or airy vocals. Songwriting tends toward memorable melodies and mood-driven textures rather than heavy aggression.

Notable artists and albums: Mazzy Star’s So Tonight That I Might See (1993) exemplifies the vocal-led, cinematic side of dreampop. Cocteau Twins’ mid- to late-1980s work, Lush’s Spooky (1996), Slowdive’s Souvlaki, and later acts like Beach House and The Radio Dept. have helped sustain the style.

Relationship and legacy: Dreampop is often positioned alongside shoegaze and indie pop, occupying a space that prioritizes mood and melody over noise. The sound has persisted through revivals and remains influential for contemporary indie and dream-oriented music.