Céllzattal

Céllzattal refers to a type of urban dance that originated in the early 2000s in various cities of the world. It is characterized by its use of handheld communications devices, typically cell phones or other mobile phones, as props in choreographed dance routines.

This form of dance often involves the use of elaborate hand and arm movements to mimic the operations of cell phones, such as text messaging, playing games, or browsing the internet. Performers may also incorporate sounds associated with cell phones, like ring tones or keyboard clicks, into their routines.

Céllzattal performances typically feature a fusion of hip-hop, breakdancing, and contemporary styles, along with social commentary and pop culture references. The subculture surrounding céllzattal dance involves elements of irony, satire, and social critique, poking fun at modern society's heavy reliance on mobile technology.

While céllzattal has gained some international attention, particularly among fans of street dance and new media arts, its wider cultural impact has been relatively limited. Nonetheless, it represents a notable example of how mobile technology can influence artistic expression and urban culture.

Notable performers of céllzattal have showcased their work in underground dance clubs, street festivals, and online video sharing platforms. As with other forms of street dance, the value of céllzattal lies in its unique fusion of style and social commentary, reflecting the divergent perspectives and creativity of individuals involved in the urban arts scene.