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CDEFGABC

CDEFGABC is the contiguous sequence of pitch names that comprises the diatonic scale built on C. In classical music theory, this set of notes corresponds to the C major scale from one C to the next, and is often presented without accidentals because it uses only natural notes on the staff and keyboard. The ascent includes eight notes, with the final C representing the octave of the starting pitch.

The interval pattern of a major scale is whole, whole, half, whole, whole, whole, half. From C

CDEFGABC is often used as a fundamental teaching example for diatonic scales, scale degrees, and melody construction.

to
D
is
a
whole
step,
D
to
E
is
a
whole
step,
E
to
F
is
a
half
step,
F
to
G
is
a
whole
step,
G
to
A
is
a
whole
step,
A
to
B
is
a
whole
step,
and
B
to
C
is
a
half
step.
In
solfege
this
corresponds
to
do
re
mi
fa
so
la
ti
do.
On
a
piano,
these
notes
align
with
the
white
keys,
and
the
C
major
key
signature
is
typically
shown
as
having
no
sharps
or
flats.
It
represents
the
C
major
key,
whose
relative
minor
is
A
minor
(the
same
notes,
different
tonal
center).
The
concept
extends
to
other
tonal
centers
by
transposition,
producing
different
major
scales
with
appropriate
accidentals,
while
the
C
major
set
remains
a
standard
reference
for
beginners
and
theory
discussions.