Bauhaushullám

Bauhaushullám is a term used to describe a period of intense interest and influence of Bauhaus design principles in Hungarian architecture and applied arts, particularly in the interwar period. While the Bauhaus school itself was short-lived, its ideas and aesthetics spread globally through its émigré faculty and students. Hungary, with its own burgeoning modernist movements, became a receptive environment for these concepts.

The influence manifested in functionalist buildings characterized by clean lines, geometric forms, and a focus on practicality. Architects embraced new materials and construction techniques, often creating a stark contrast with earlier ornate styles. This period saw the development of residential buildings, public structures, and even furniture that embodied the Bauhaus ethos of "form follows function."

Key figures in Hungarian architecture, such as Farkas Molnár and Hugó Domanovszky, were instrumental in disseminating Bauhaus ideas. They often incorporated elements like flat roofs, ribbon windows, and uncluttered interiors. Beyond architecture, the Bauhaushullám also impacted graphic design, typography, and industrial design, promoting a streamlined and modern aesthetic that resonated with the era's aspirations for progress and efficiency. The movement contributed significantly to the development of a distinct Hungarian modernism.