musiksmak

Musiksmak is a concept used in sociology, psychology, and cultural studies to describe an individual's or a group's preferences and judgments regarding music. It encompasses preferred genres, artists, songs, concert formats, and aesthetic criteria such as originality, technical skill, emotion, or authenticity. The term is most common in Swedish-language discourse but aligns with global discussions of musical taste.

Taste is formed through a combination of biological predispositions, personal experiences, socialization, and cultural capital. Early exposure, peer groups, education, media, and access to concerts influence tastes, which can change across life stages. Sociologist Pierre Bourdieu described music taste as a form of cultural capital that signals class position and social distinction; others describe habitus as the internalized dispositions shaping preferences. The concept of cultural omnivorousness notes that many contemporary consumers enjoy a wide range of genres across social strata.

In research, musiksmak is studied through surveys, listening data, and experimental methods. Analysts look at how exposure, algorithmic recommendation, and social networks expand or constrain tastes, and how identity, subcultures, or nationalism influence musical choice. Taste can function as a marker of identity and belonging, as well as a site of cultural negotiation and status.

Contemporary discussions include debates about authenticity, the effect of streaming platforms on exposure, and the tension between mainstream and niche genres. While individual musiksmak is subjective, patterns can reflect broader cultural, economic, and technological forces shaping music consumption.