lenvászonon

Lenvászonon is a Hungarian term that designates the practice of painting on linen canvas. The word is formed from len (flax) and vászon (canvas), with the locative suffix -on, reflecting the surface used for painting.

Linen canvas is a fabric made from flax fibers. It is typically stretched over a wooden frame, dried, and prepared for painting by sizing—often with rabbit-skin glue—to reduce absorbency, followed by priming with gesso or an acrylic primer. This preparation yields a surface that is smooth but with some tooth, helping paint adhere and protecting the fibers from direct pigment contact.

Properties and technique: Linen is valued for its strength, dimensional stability, and durability. The surface texture can range from very smooth to moderately coarse, influencing how paint adheres and dries. Both oil and acrylic painters may use lenvászonon; linen tolerates multiple layers and long-term conservation well, though it is usually more expensive and heavier than cotton.

Historical context and current use: Linen canvas has been widely used in Europe since the Renaissance and has long been considered a high-quality painting support for fine works. Although cotton canvases became common in the 19th century due to cost, linen remains a preferred choice among many traditional painters and conservators for its longevity and stability.

Care and preservation: Works on lenvászonon should be stored away from direct sunlight, heat, and humidity fluctuations. Framing can offer mechanical support to prevent deformation. Routine dusting with a soft brush is advised, while cleaning or restoration should be conducted by professional conservators.