impresszionizmus

Impressionism is a 19th-century art movement characterized by its emphasis on accurate depiction of light and its use of color to convey atmosphere. The term "Impressionism" was coined by the art critic Louis Leroy in 1874, after a group of artists exhibited their works at the Paris Salon. The movement was initially dismissed by critics, who found the works too unfinished and unrefined. However, it gained recognition and popularity in the following decades, becoming one of the most influential art movements of the 19th century.

The Impressionists sought to capture the fleeting effects of light and color on the human eye, rather than the physical characteristics of objects. They often painted outdoors, using quick, visible brushstrokes to create a sense of movement and spontaneity. This approach allowed them to capture the transient nature of light and atmosphere, which was a departure from the more detailed and realistic styles of previous art movements.

The Impressionists were a diverse group of artists, including Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Edgar Degas, and Berthe Morisot. They were united by their shared interest in modern life and their desire to create art that reflected the changing world around them. The Impressionists' innovative techniques and themes had a profound impact on the development of modern art, influencing generations of artists who followed.

The Impressionists' works are known for their vibrant colors, bold brushstrokes, and emphasis on light and atmosphere. Their paintings often depict everyday scenes, such as street scenes, landscapes, and portraits, but they also explored more abstract and symbolic themes. The Impressionists' legacy can be seen in the works of many modern artists, who continue to explore the possibilities of light and color in their own unique ways.