förstörelsen

förstörelsen was a Swedish avant-garde music group formed in the late 1960s. The group was known for their experimental and noise-oriented sound, which often incorporated elements of industrial and psychedelic music.

The group's name, förstörelsen, is Swedish for "the destruction," which reflects their noisy and abrasive musical style. They released several albums in the early 1970s, including "förstörelsen" in 1972 and "Storm följer" in 1973.

förstörelsen's music was characterized by its use of distorted guitars, feedback, and other forms of electronic manipulation. The group's sound was often described as unsettling and challenging, and they were not to everyone's taste. However, they also attracted a loyal following among fans of experimental and avant-garde music.

The group's members were active in the Swedish avant-garde scene of the 1960s and 1970s, which also saw the emergence of other notable groups such as Kall Systems and Uriarten Klint. förstörelsen's music has been cited as an influence by later experimental and noise bands.

The group's activity declined in the mid-1970s, and they eventually disbanded. However, their music has continued to be celebrated by fans of avant-garde and experimental music, and they remain a key part of the history of Swedish avant-garde. Few records by Swedish experimental bands have been discovered and very few Swedish experimental bands have been translated in other language.