cadenciák

Cadenciák is a Hungarian term that translates to "cadences" in English, referring to musical progressions that mark the end of a phrase or section. In music theory, a cadence provides a sense of resolution or finality. There are several types of cadences, each with a distinct harmonic structure and emotional effect.

The most common and definitive cadence is the perfect authentic cadence, which typically consists of a V-I progression (dominant to tonic) in root position, with both chords being major or minor. This creates a strong sense of closure. A less conclusive but still common cadence is the imperfect authentic cadence, which may involve inversions of the V-I chords or a leading-tone chord (vii) resolving to the tonic.

Other important cadences include the plagal cadence, often heard as the "Amen" cadence, which is a IV-I (subdominant to tonic) progression. This cadence has a softer, more peaceful quality than the authentic cadence. The deceptive cadence, a V-vi (dominant to submediant) progression, creates surprise by moving to a chord other than the expected tonic, delaying resolution. Finally, the half cadence ends on the dominant chord (V), leaving the listener anticipating the continuation of the music. The precise harmonic structure and voice leading within these cadences contribute significantly to the overall musical phrasing and narrative.