Romanvorlage

A *Romanvorlage* (German for "novel source" or "novel basis") refers to the original material—such as a book, short story, play, or other literary work—that serves as the foundation for an adaptation into another medium, most commonly film or television. The term is particularly common in German-language discussions about cinematic or theatrical adaptations, where the distinction between the original literary work and its adapted form is often emphasized.

The concept of a *Romanvorlage* highlights the creative process of transformation, where elements from the source material—such as plot, characters, themes, or dialogue—are reinterpreted for a new audience. While some adaptations remain closely faithful to the original, others take significant creative liberties, altering structure, tone, or narrative focus. The relationship between a *Romanvorlage* and its adaptation can vary widely, from near-verbatim translations to radical reinterpretations.

In German cinema and literature, discussions about *Romanvorlagen* often explore questions of fidelity, artistic interpretation, and the unique contributions of the adapting filmmaker or writer. For example, a well-known *Romanvorlage* is F. Scott Fitzgerald’s *The Great Gatsby*, which has been adapted into multiple films, each offering a distinct interpretation of the original novel. Similarly, works by authors like Thomas Mann or Hermann Hesse have frequently served as *Romanvorlagen* for cinematic adaptations, reflecting their enduring cultural significance.

The term also underscores the collaborative nature of adaptation, where the original author’s vision interacts with the creative choices of directors, screenwriters, and producers. While some adaptations aim to honor the spirit of the *Romanvorlage*, others deliberately diverge to explore new perspectives or artistic directions. The study of *Romanvorlagen* remains relevant in media studies, film theory, and literary criticism, as it examines how stories evolve across different formats.