PostImpressionists

Post-Impressionism refers to a loose grouping of late 19th-century painters who followed Impressionism but pursued more varied directions in form, color, and meaning. Emerging in France in the 1880s, the movement is not a formal school but a label applied by critics to artists who built on Impressionist practices while seeking greater structural clarity, symbolic content, or personal vision. The term was used retrospectively to distinguish these artists from the immediate Impressionist milieu.

Prominent figures commonly associated with Post-Impressionism include Paul Cézanne, Vincent van Gogh, Paul Gauguin, Georges Seurat, and Paul Signac. Cézanne pursued a reconstruction of nature through geometric simplification and analysis of spatial relationships. Van Gogh is known for expressive brushwork and bold, emotionally charged color. Gauguin developed Synthetism, with flat areas of color and symbolic motifs inspired by memory and dream. Seurat advanced Pointillism, applying tiny dots of color to achieve optical blending and a disciplined approach to color theory. Signac, closely aligned with Seurat, extended these ideas into a broader range of subjects and surfaces.

The Post-Impressionists diverged in aims and techniques, laying groundwork for later movements such as Fauvism, Symbolism, and Cubism. Although united by a reaction to purely optical realism, they pursued different paths—emotional intensity, formal structure, or symbolic meaning—toward broader modernist aims. The movement broadly spans the late 1880s to the early 1900s and helped bridge Impressionism with 20th-century modern art.