Lippenvibrationen

Lippenvibrationen, also known as Lippenvibration or lip vibrations, were a Swiss performance art and music group active from the late 1970s to the 1990s. The group originated in Zurich, Switzerland, and was known for its experimental and avant-garde approach to music and performance.

The group consisted of singer and musician Rudolf Kelterborn, keyboardist Ursula Eisenrauch, drummer Marcus Konrad, and bassist Paul Schütte. Lippenvibrationen's music incorporated elements of jazz, electronic music, and free improvisation, with lyrics that often focused on dream-like narratives, psychological themes, and absurdity.

Lippenvibrationen's performances often featured elaborate costumes and multimedia installations, blurring the line between music, dance, and theater. The group's live shows were characterized by their abstract and abstract visual elements, with the musicians using various props, lighting effects, and costumes to create an immersive experience for the audience.

Lippenvibrationen released several albums, including "Eine Palastmelodie" in 1980 and "Tonfilm responseObject" in 1984. The group's music and performances were well-received in the avant-garde music scene of the 1980s, with comparisons drawn to other experimental musicians such as Brian Eno and David Bowie.

Despite their experimental approach, Lippenvibrationen's music was often described as markedly melodic and mysterious. The group's lo-fi production and raw energy added to the sense of urgency and unbridled creativity that defined their performances.

Lippenvibrationen's influence can be seen in the experimental and avant-garde music scenes that followed, with many artists referencing their work as an inspiration. While the group's output was relatively small, their unique blend of performance and music has maintained an enduring presence in the realm of experimental and underground music.

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