többhangos

Többhangos is a Hungarian term that translates to "polyphonic" or "multi-voiced." In a musical context, it refers to music that features two or more independent melodic lines occurring simultaneously. This contrasts with monophonic music, which has a single melodic line, and homophonic music, where a single melody is accompanied by chords. Polyphonic music is characterized by the interplay and independence of its various melodic parts, which can create a rich and complex texture.

Historically, polyphony developed significantly during the Middle Ages and the Renaissance in European music. Composers explored various techniques of combining melodies, such as imitation, where one voice echoes another, and counterpoint, the art of writing independent melodic lines that sound pleasing together. Notable composers associated with the development and mastery of polyphony include Guillaume de Machaut, Josquin des Prez, and Johann Sebastian Bach. Bach, in particular, is renowned for his fugues and canons, which are prime examples of intricate polyphonic composition. The principles of polyphony are not exclusive to Western classical music; similar concepts of simultaneous independent melodic lines can be found in the traditional music of various cultures around the world. The term "többhangos" encapsulates this rich musical texture where multiple voices contribute to the overall soundscape in a harmonically and melodically integrated fashion.