Záróhangsorral

Záróhangsorral is a Hungarian term used in music theory to describe a concluding harmonic progression or cadence. It refers to the specific sequence of chords that brings a musical piece, or a section of a piece, to a close. The primary function of a záróhangsorral is to provide a sense of resolution and finality, signaling the end of a musical thought.

There are several common types of záróhangsorral, each with a different character and effect. The most definitive is the authentic cadence, which typically consists of a dominant chord (V) followed by a tonic chord (I). This progression creates a strong sense of arrival and completion. Another common type is the plagal cadence, which moves from the subdominant chord (IV) to the tonic chord (I). This is often referred to as the "Amen cadence" due to its frequent use in church music.

Less conclusive but still effective closing progressions include the deceptive cadence, where the dominant chord (V) leads to a chord other than the tonic (often the submediant chord, vi). This creates a sense of surprise or a feeling that the music will continue. Half cadences, which end on the dominant chord (V), leave the listener anticipating further resolution. The specific choice of záróhangsorral contributes significantly to the overall mood and stylistic identity of a musical work. Composers carefully select these progressions to achieve the desired emotional impact and structural integrity.