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An oeuvre (plural oeuvres) is the complete body of work produced by a single author, artist, composer, or other creator. In English-language scholarship, the term is usually written with the original French spelling, and "œuvre" is often preferred; "uvre" by itself is uncommon and may be regarded as a misspelling or incomplete form. The concept refers to the full set of works generated over a creator’s career, typically including published pieces, drafts, sketches, and, in the case of visual artists, paintings, drawings, sculptures, and installations. Depending on discipline and scholarly practice, the oeuvre may be defined narrowly as works officially attributed to the creator or broadly to include collaborations, revisions, and posthumous discoveries. A catalogue raisonné is a standard scholarly project that aims to document an artist’s entire oeuvre with authoritative attributions, dates, and provenance.

The study of an oeuvre involves analyzing themes, motifs, technique, and evolution over time, helping to trace the artist’s development and contextual influences. The concept also supports comparative and reception studies, showing how works relate to each other within a period or tradition. However, the idea of a single coherent oeuvre can be contested: media changes, collaborations, and varying critical judgments can produce fragmented or disputed attributions. In practice, researchers must navigate questions of attribution, dating, and the boundary between professional output and personal or incidental material.

Notes on usage: the term is widely used in art history, musicology, and literary criticism as a way to frame an individual creator’s overall contribution rather than isolating individual works.