Sukzessionisten

Sukzessionisten, also known as successionists, are a group of artists and intellectuals who emerged in the early 20th century, primarily in Germany. They were part of the broader Dada movement but developed their own unique aesthetic and philosophical approach. The term "Sukzessionisten" was coined by the poet and critic Hugo Ball, who was also a key figure in the Dada movement.

The Sukzessionisten rejected traditional forms of art and literature, advocating instead for a more spontaneous and intuitive approach. They believed in the idea of "succession," which involved creating art through a process of continuous evolution and transformation. This concept was influenced by the theories of the philosopher Friedrich Nietzsche, who emphasized the idea of the "Übermensch" (Overman) and the constant struggle for self-overcoming.

The Sukzessionisten often used found objects, chance, and the subconscious mind as sources of inspiration. Their work was characterized by a sense of chaos and disorder, reflecting their rejection of rational and structured forms of art. They sought to break down traditional boundaries and create something new and unpredictable.

Despite their innovative approach, the Sukzessionisten faced criticism and rejection from both the art establishment and the broader public. Many of their works were destroyed or ignored, and the movement itself was short-lived. However, their influence can still be seen in later movements such as Surrealism and Conceptual Art.

In summary, the Sukzessionisten were a group of artists and intellectuals who rejected traditional forms of art and literature in favor of a more spontaneous and intuitive approach. Their work was characterized by a sense of chaos and disorder, and they sought to break down traditional boundaries to create something new and unpredictable. Despite facing criticism and rejection, their influence can still be seen in later artistic movements.