Rebetiko

Rebetiko is a Greek urban popular music genre that emerged in the late 19th and early 20th centuries among the working-class communities of port cities such as Piraeus and Athens. It drew on traditional Greek folk songs, Ottoman urban music from Smyrna (Izmir) and surrounding immigrant communities, and influences from Sephardic, Armenian, and Romani traditions. The term rebetiko derives from rebetes, a label used for marginalized male street singers; Smyrneika refers to songs from Smyrna that were absorbed into the repertoire.

Musically, rebetiko centers on the bouzouki and baglama (laouto), often augmented by guitar, mandolin, or violin. Songs vary in tempo and rhythm, with the zeibekiko dance rhythm (notably 9/8) and other measures used. Melodies are modal and often bluesy or sorrowful, while lyrics explore poverty, exile, love, crime, drink, and longing, sometimes with double meanings and a sense of urban underground life.

The genre flourished in the 1920s and 1930s, particularly in Piraeus, where composers and performers helped define a recognizable bouzouki-based sound. Markos Vamvakaris and Vassilis Tsitsanis are among the most influential figures. Rebetiko faced police censorship and social stigma in the 1930s and 1940s, when public performances were curtailed. It persisted underground and evolved, leading to a revival in the 1960s and onward, and it continues to influence Greek popular music and film, while scholars regard it as a key cultural expression of modern Greece.