Montagedistanz
Montagedistanz is a term used in film theory and practice to describe the physical distance between the camera and the subject or action being filmed. It plays a crucial role in shaping the visual style and narrative impact of a film. The term was popularized by film theorist Christian Metz in his 1974 book "Film Language: A Semiotics of the Cinema."
The montagedistanz can vary widely, from extreme close-ups (ECUs) that focus on minute details, to long shots
The choice of montagedistanz is influenced by the director's vision, the story's requirements, and the desired
In modern filmmaking, the montagedistanz is often combined with other techniques, such as camera movement and