lagastoða

Lagastoða (Icelandic for "the song's foundation") is a term used in some musicological discussions to describe the underlying structural frame that supports a melody. Deriving from lag ("song") and stoða ("support" or "base"), the concept points to the stable elements that give a tune its identity across repetitions and variations, including rhythm, meter, tonal center, and harmonic or bass-pattern that reoccurs through the piece. The precise definition varies among scholars; in some analyses it emphasizes the bass line and cadence design, in others it encompasses the prevailing modal or tonal framework and accompanying patterns that anchor the melody.

Practically, lagastoða is most often referenced in studies of traditional Nordic and Icelandic vocal music, where songs retain a recognizable base through refrains or verses. Analysts might describe a lagastoða as an ostinato bass, a recurring rhythmic cell, or a conventional chord progression that underpins different melodic iterations. The concept helps distinguish between the melodic material that changes and the structural backbone that remains constant.

Relation to other ideas: Lagastoða is comparable to concepts such as ground bass, accompaniment function, or harmonic rhythm in Western theory, though it is rooted in the traditions from which the term arises. Critics note that the term is not universally adopted and that its boundaries overlap with more common terms like accompaniment, harmonic framework, or form.