Siddomas

Siddomas is a term derived from the Latin phrase *sacrae domus*, meaning "holy house," which historically referred to the papal palace in Rome, specifically the Vatican. The term has been used in various contexts over the centuries, particularly in religious, historical, and esoteric literature.

In the 19th century, the term gained prominence through the writings of Eliphas Lévi, a French occultist and mystic. Lévi introduced the concept of *Siddomas* in his 1856 work *Dogme et Rituel de la Haute Magie*, where he described it as a system of magical correspondences linking the divine, the celestial, and the terrestrial realms. Lévi’s framework categorized magical symbols, rituals, and practices into three primary divisions: *Theurgy* (divine magic), *Goetia* (demonic magic), and *Thaumaturgy* (miraculous magic). His system also included the use of sigils, planetary influences, and the Kabbalistic Tree of Life as foundational elements.

Lévi’s ideas were later expanded upon by other occultists, including Aleister Crowley, who referenced *Siddomas* in his own magical theories. Crowley’s *Liber Samekh* (1909) incorporated elements of Lévi’s system while integrating his own philosophy of Thelema. The term *Siddomas* has since been used more broadly to describe a structured approach to ceremonial magic, emphasizing symbolic correspondence and ritual precision.

Today, *Siddomas* remains a term of interest in esoteric studies, particularly among practitioners of ceremonial magic, Kabbalah, and Western occultism. It is often studied alongside other magical traditions, such as the Golden Dawn, due to its systematic and symbolic nature. While not a unified school of thought, the concept continues to influence modern magical practices through its emphasis on order, symbolism, and the interplay between spiritual and material realms.