RAAGs

Raags are melodic patterns used in Indian classical music, particularly in Hindustani and Carnatic traditions. The term "raag" is derived from the Sanskrit word "rāga," which refers to a specific melodic framework or mode. A raag provides a structure for improvisation and composition, with a set of rules governing the pattern of notes, intervals, and progression of the melody.

The use of raags dates back to ancient India, with roots in classical Sanskrit music. Today, raags are an integral part of Indian classical music, with a rich and diverse repertoire. Each raag has its own unique characteristics, which are often associated with specific emotions, times of day, and seasons. For example, some raags are associated with dawn, while others are linked to sunset.

Raags are typically categorized into seven main systems: Bilaval, Kafi, Kharaj, Asavari, Bhairav, Deepchanda, and Marwa. These categories are not strict and often overlap or evolve over time. Additionally, raags can be further sub-divided into numerous variations, or "bhavs," which emphasize specific aspects of the melody.

The study and performance of raags is deeply rooted in the concept of "rishi," or spiritual perfection. Indian musicians believe that the serious study and practice of raags can lead to spiritual growth and self-realization. Raags are a key element of Indian classical music, providing a foundation for improvisation, composition, and spiritual expression. Despite their importance in Indian music, raags are not universally well-known, and their study and appreciation have only recently begun to gain recognition in Western musical circles.