3nns

The 3nns is a style of monoline script calligraphy that originated in the 1960s. Developed by American artists Ray Boyle, Larry V kov, and Earl Hamann, it is known for its distinctive and flowing style, characterized by a consistent line width and a cursive, connected feel.

The 3nns style is often associated with the psychedelic and countercultural movements of the 1960s and 1970s, where it was often used in posters, flyers, and other forms of graphic design. The style's fluidity and abstract quality made it well-suited to the era's emphasis on free expression and experimentation.

In terms of technical characteristics, the 3nns style is notable for its use of a single, consistent line width throughout the letterform. This gives the style a sense of cohesion and visual flow, and helps to create the impression of movement and continuity. The line width is typically quite thin, which can make the letters appear delicate and open.

Despite its origins in the counterculture movement, the 3nns style has had a lasting influence on the field of calligraphy and graphic design. Its emphasis on flow and movement has made it a popular choice for designers looking to create a sense of energy and dynamism in their work.

Today, the 3nns style is still used by designers and calligraphers around the world, who appreciate its unique combination of visual interest and technical precision. Its legacy as a key part of the psychedelic and countercultural aesthetic continues to be celebrated by those interested in the history of graphic design and visual culture.