Innerskalet

Innerskalet, also known as the inner scale, is a concept in music theory that refers to the notes that are not part of the primary scale or chord. These notes are often used to create tension, resolution, and harmonic interest in a piece of music. Innerskalet can be found in various musical traditions and styles, including Western classical music, jazz, and folk music.

In Western music, the inner scale typically consists of the notes that are not part of the major or minor scale. For example, in the C major scale, the inner scale would include the notes D#, F#, and A#. These notes are not part of the C major scale, but they can be used to create tension and resolution in a piece of music.

In jazz, the inner scale is often used to create tension and resolution in a blues progression. For example, in the 12-bar blues progression, the inner scale can be used to create tension in the turnaround and resolution in the final chord.

In folk music, the inner scale is often used to create a sense of modality, or the feeling of a particular key. For example, in the folk song "Scarborough Fair," the inner scale is used to create a sense of modality in the key of G major.

Innerskalet can be used in various ways in music, including as passing tones, neighbor tones, and suspension tones. Passing tones are notes that pass through two other notes, creating a sense of motion. Neighbor tones are notes that are adjacent to a particular note, creating a sense of tension and resolution. Suspension tones are notes that are held over a chord, creating a sense of tension and resolution.

Innerskalet is an important concept in music theory, as it allows composers and musicians to create tension, resolution, and harmonic interest in a piece of music. By understanding the inner scale, musicians can create more complex and interesting musical compositions.