dirigidodirigida

Dirigidodirigida is a term used in contemporary theatre and performance studies to describe a bidirectional directing dynamic in which both the director and the performers contribute to shaping the work. It is a portmanteau formed from the Spanish words dirigido and dirigida, emphasizing mutual agency and co-authorship in practice.

Origin and usage

The term is a neologism within discourses on dramaturgy and collaborative creation, often cited in discussions of ensemble performance, participatory theatre, and rehearsal practice. It signals a move away from traditional top-down directing toward a more reciprocal process.

Characteristics

Key features include shared decision making, iterative rehearsals, improvisation, and open negotiation of text, blocking, and interpretation. The director acts as a facilitator who curates ideas rather than unilaterally imposing them, while performers contribute dramaturgical input and creative direction.

Contexts and applications

Dirigidodirigida appears in theatre pedagogy, experimental performance, and some film or multimedia projects that emphasize collaboration. It is discussed as a method to cultivate collective authorship, resilience, and live responsiveness to audience or environment.

Reception and critique

Supporters view the approach as empowering and innovative, while critics warn of potential ambiguity, uneven artistic control, or logistical challenges in coordinating multiple voices. Successful practice depends on clear agreements, trust, and compatible artistic goals.

See also

Collaborative theatre, dramaturgy, ensemble performance, participatory art.